By means of a great number of interviews congregated in its workmanship it can be understood as the pioneers of the movement had come to congregate themselves around the ideal that consisted of creating a type of total national filmografia. Continuing with the proposal to congregate in this research arcabouo theoretician I validate, that it came to objectify the thematic one of our work, was made one brief reflection on the cinematographic language and the power that the image acquires on the public who was the handle of Christian Metz in its intitled workmanship the significao in the cinema. The workmanship of Metz allowed to evaluate the different cinematographic signs and the relation exerted for them in the construction of the reality. The studies made from the workmanship Magic and technique, art and politics of Walter Benjamin, lock up this small reflection that placed the cinema and the known Brazilian cinematographic movement as New Cinema in prominence. The attempt was to associate characteristic of the two concepts with the research that if come back toward the social representations and by means of them to try to open the field of the sociological research that has as objective to analyze relations that if create between the men, reflected here on the light of the cinema. .
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