O.A.R. in Kansas City 2007

Another summer, another excellent O.A.R.  show in Kansas City.   This time the show was behind the Beaumont Club in Westport.

The band is promoting their most recent CD/DVD release Live From Madison Square Garden, which includes a 17-minute version of the crowd favorite "That Was a Crazy Game of Poker".  Streaming portions of the DVD are available at AOL Music, and an audio preview is on the band's myspace page.

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The depth and breadth of band's musical talent continues to impress.  The show was a series of seamless instrument changes.  Lead singer Marc Roberge often switches between acoustic and electric guitar depending on the song.  In addition of a variety of wind instruments, Saxophonist Jerry Dipizzo also does some percussion and augments the bands incredible guitar sound with his own axe on "Love and Memories".  Lead guitarist Richard On, bassist Benj Gershman, and drummer Chris Culos also turn in their standard high level of expertise. 

The regular set kicked of with "Hey Girl" and wrapped up with Poker.  A single 3-song encore concluded the evening  with "Love and Memories".  Notably missing from the set was "City on Down".  The unique addition of a cover of Billy Joel's "The Downeaster Alexa" compliments the band's northeast U.S. roots.

Highly Recommended.

The band is scheduled to release their next album in early 2008.

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© 2007 Michael Cale

Digital Purchases Rise as Album Sales Fall

Record companies continue to cling to their outdated album-oriented business model.

Album sales fell again in the first half of the year - down 15% from the same period last year. This follows a 4% decrease last year and a 10% drop in 2005.1

Although album sales are dropping, digital music downloads continue to sky-rocket - up 49% this year and up 659% since 2004.1

Since consumers are able to pick and choose which tracks to purchase, overall song volume is down. Combining these individual music sales into album-size packages gives us a 9.2% sales decrease so far this year, instead of the 15% headline figure.2 Consumers are no longer willing to purchase an entire album just to get the song or two that they really like.

This new digital marketplace allows consumers to be exposed to a larger number of artists.

The music industry has gotten hyper-competitive.  Record labels have become over-reliant on the mega-hit.  The digital revolution in music requires a different model.  The labels are built to sell a lot of songs from a few artists.  But the world has changed.  The winners in this new era will be adept at selling fewer songs from more artists.

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Source:

1. Ken Barnes. Slow start puts '07 album sales 'in a hole' .
USA Today. July 5, 2007.
http://www.usatoday.com/life/music/news/2007-07-04-album-sales_N.htm

2. Associated Press. Digital Purchases Rise as Album Sales Fall .
New York Times. July 5, 2007.
http://www.nytimes.com/2007/07/05/business/05music.html

© 2007 Michael Cale

Techdirt.com reports that the University of Nebraska has refused to identify students that have downloaded music since they do not keep such records. Additionally, the school has sent a request for the RIAA to pay for expenses incurred due to RIAA requests.1

Also, the University of Wisconsin has refused to comply with RIAA requests, saying they will comply when the request is accompanied by a subpoena.1

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Source:

1. Joe. RIAA University Campaign Sputters: Group Asked To Pay Up For Wasting School's Time.
Techdirt.com. March 21, 2007.
http://www.techdirt.com/articles/20070320/171228.shtml

© 2007 Michael Cale

A Band in Need of a Poet

I caught a good concert in Kansas City over the weekend.  O.A.R. put on a great show.

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O.A.R. is a great show band.  Their musical prowess is outstanding.  For an introduction to the band, I recommend Between Now and Then.  Unfortunately, they are much better musicians than lyricists.  Their lyrics are too often simplistic, especially in their earlier work.  They would benefit greatly if they would periodically add a poet to the band to assist with the lyrics.  Nevertheless, their show is well worth the price of admission.

The opening act was Jacks Mannequin.  They also put on a very good show. 

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Their set list was limited since they only have one CD out, Everything In Transit.  Although the band members are much more experienced.  Singer Andrew McMahon has a previous effort under his belt with the band Something Corporate.  Tommy Lee plays drums for the band on the Jacks Mannequin CD.

For a sample of Jacks Mannequin, checkout their home page for streaming video from one of their shows.

© 2006 Michael Cale

Locking the Music CD

Despite Sony BMG's 'rootkit' public relations disaster last year, the music industry continues to push for access control. 

Last year, Sony BMG quietly issued music CDs with access control software that was designed to limit the number of times the CD could be copied to a computer. The software was installed on user's computers without their knowledge and could potentially expose their systems to computer viruses. As a result of the incident, Sony BMG has removed the software from its music CDs. Also, government agencies are considering regulating the practice.1

Although this incident has been embarrassing and expensive to Sony BMG, the industry is still pushing access control as a solution to the failures of their business model.  This has placed the industry in the awkward situation of exposing their intellectual dishonesty.

In a response to the U.S. Copyright Office over the Sony BMG incident, the industry (RIAA and others) now argues that making a backup copy of a music CD is unlawful:

creating a back-up copy of a music CD is not a non-infringing use2

Non-infringing use is legal.  Additionally, the filing states that transferring music from your CD to your iPod may or may not be lawful:

The submission asserts in its third example, “device and format shifting,” that such activities “are unquestionably fair uses” of lawfully purchased CDs, ... but among those questioning this conclusion is the Register, who noted in 2003 that “proponents have not established that space-shifting or platform-shifting is a noninfringing [sic] use.”2

Footnote #46 elaborates on this point (emphasis mine):

See, infra, Section V(D), which addresses in detail space-shifting and format-shifting. Nor does the fact that permission to make a copy in particular circumstances is often or even “routinely” granted...necessarily establish that the copying is a fair use when the copyright owner withholds that authorization. In this regard, the statement attributed to counsel for copyright holders in the Grokster case ...is simply a statement about authorization, not about fair use.2

In oral arguments before the Supreme Court in 2004, a music industry attorney argued that moving music from your CD to your iPod was a lawful use of your CD.

From the moment that device [the iPod] was introduced, it was obvious that there were very significant lawful commercial uses for it. And let me clarify something I think is unclear from the amicus briefs. The record companies, my clients, have said, for some time now, and it's been on their Website for some time now, that it's perfectly lawful to take a CD that you've purchased, upload it onto your computer, put it onto your iPod. There is a very, very significant lawful commercial use for that device, going forward.3

It seems that since then, the industry is having a change of heart (never mind that there has not been a change of  law). 

Now that there are legal means to purchase music online and transfer it to your PC, the industry is moving to prevent the transfer of music from CD to computer. 

According to the filing with the Copyright Office3, it is currently still legal to listen to CDs that you purchase (at least until the RIAA has another change of heart).

Source:

1. Jennifer LeClaire. Sony Incident Leads Government to Consider Rootkit Ban.
eCommerce Times. February 17, 2006.
http://www.ecommercetimes.com/story/48932.html

2. Association of American Publishers et al.
Exemption to Prohibition on Circumvention of Copyright Protection Systems for Access Control Technologies
U.S. Copyright Office. Docket No. RM 2005-11. February 2, 2006.
http://www.copyright.gov/1201/2006/reply/11metalitz_AAP.pdf

3. Oral Arguments before the U.S. Supreme Court Case No. 04-480.
METRO-GOLDWYN-MAYER STUDIOS INC. et al. v. GROKSTER, LTD., et al.
Argued March 29, 2005--Decided June 27, 2005.
http://www.supremecourtus.gov/oral_arguments/argument_transcripts/04-480.pdf

© 2006 Michael Cale

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